"We're ready for our close-up, Mr. DeMille": Movie history still being made in Ypsilanti

Published In:
Ypsilanti Gleanings, Winter 2011,
Winter 2011
Original Images:


Author: Tom Dodd

One year after filming Anatomy of a Murder in Michigan’s upper peninsula in 1959, Hollywood came back here for more. They followed with Where the Boys Are in 1960, The Betsy in 1978, and Chris- topher Reeve and Jane Seymour’s romantic Somewhere in Time at the Serpentine Pool in front of Mackinac Island’s Grand Hotel in 1980.

There’s a lot more movie action here to- day and, with recent offers of tax credits, there’s a renewal of interest in shooting films in Michigan. In 2010, Michelle Beg- noche, of the Michigan Film Office, said, “Conviction, Stone, Trust, Vanishing on 7th Street, and What’s Wrong With Virgin- ia represent 1,005 jobs and $39.8 million in investment in Michigan.”

Some of that largess has come to Ypsilanti in recent filming. Evil Genius Entertainment discovered our camera-ready profiles for their low-budget flics as early as 1997 with Deadeye. In 2002 EGE featured Witchunter with downtown developer Eric Maurer in a starring role. In 2004, EGE brought out Living Dead World, “a drunken redneck zombie” type of flic, said Christine Laughren in the Ypsilanti Citizen. In 2009, EGE featured shots made in Park Street and, in some scenes, Depot Town’s clock can be seen in their production of The 6th Extinction.

Following these early efforts, more film companies began to take over Ypsilanti’s streets. 2008 saw Drew Barrymore and her Texas roller derby buds bellying up to the bar at the Elbow Room as they filmed Whip It, pretending to be indie-rock-loving misfits in Bodeen, Texas.

Movie-goers love to watch location shots at the Sidetrack, Freeman & Bunting, and Roy’s Drive-In in the 2009 Hillary Swank/ Sam Rockwell/Minnie Driver production of Conviction. The working title of Betty Ann Waters was dropped after work was completed here. Thomas Basinger’s old green pick-up truck, usually seen parked in front of his home on River Street, got almost as much camera-time as Swank and Driver.

Filming of Stone was interrupted in 2010 when an intoxicated woman accosted Robert DeNiro saying she was a fan of his. Who would have thought they would see DeNiro coming down the steps from his office above Congdon’s ACE Hardware?

Parallel Media knocked out High School in 2010, where Adrien Brody, Michael Chiklis, and Colin Hanks tell of a vale- dictorian who gets baked with the local stoner and finds himself the subject of a drug test. How did they ever come up with a far-fetched plot like that?

Locals marveled at Emily Blunt jumping over snow banks on Washington Street in June of 2011 for the filming of Five-Year Engagement that follows the tribulations of a couple’s long engagement.

Also in 2011, we saw Teresa Palmer and Liam Hemsworth enjoying the great food tradition of the Wolverine Restaurant in the 1970s-themed film AWOL. Ypsilanti’s City Hall was a stand-in for the Ann Ar- bor Police Department in this story of the U-M campus during the anti-Vietnam War movement.

Local movie-goers agree that it is difficult to follow the plot while keeping an eye out for well-known local attractions. “Oh, look! There’s the lamp in Auntie Jane’s window. Now she’s a movie star!”

[Tom Dodd does design and layouts for GLEANINGS where his job is to make all the stories come down to the bottom of the page]

Controversy at Ypsilanti's Nickelodeon

Published In:
Ypsilanti Gleanings, Fall 2012,
Fall 2012
Original Images:


Author: Laura Bien

This story previously appeared in the Ypsilanti Courier.

Ypsilanti’s first movie theater wasn’t the Martha Washington at Washington and Pearl (now the Déjà Vu) or the Wuerth on Michigan Avenue (now a salon adjacent to the Wolverine Grill). In 1907, a tiny nickelodeon opened in a former grocer’s shop on the west side of North Huron, just north of the present-day Dalat.

In its earliest days, The Vaudette didn’t show movies, but still images from a turn-of-the-century slide projector called a stereopticon. Resembling a lantern-camera hybrid, the stereopticon had a slot in which a glass plate with an image could be inserted. A variety of illuminants were used including kerosene, acetylene gas, and an apparatus that burned a piece of the white alkaline material lime in an oxyhydrogen gas flame, giving rise to the technical and later metaphorical term “lime-light.”

Visitors to the Vaudette who had paid their nickel could choose one of the forty or so plain wooden chairs arranged on the old grocery store’s wooden floor, facing the small makeshift screen in back. To the side of the screen sat an upright piano at which a woman played popular pieces of the day to accompany the images being changed by her son Russell at the stereopticon. Pianist Elizabeth was accompanied by her husband, singer Bert Reader, a former local barber who’d founded the Vaudette.

Bert’s English-born parents Thomas and Eliza had had their six children in three different countries. Their first, Comfort, was born in England. The family immigrated to Canada around 1860, where Lizzie, Josie, William, and Edward were born. Around 1875 the family moved to Michigan, settling in Ypsilanti. Bert, Thomas and Eliza’s last child, was born just a few days before July 4, 1876 - his parents gave him the middle name of Centennial.

In July of 1896, Bert married Elizabeth Myers, the Michigan-born daughter of German immigrant parents, in Essex, Ontario. The couple settled in Ypsilanti on River Street, moving in a few years to a house at 728 Lowell on the north side of town near the present-day EMU campus. Bert worked as a barber at his brother William’s shop, the Opera House Shaving Parlors, at 222 Michigan Avenue. Elizabeth kept house and tended their toddler Russell.

When the grocer’s shop at 19 North Huron closed, Bert purchased it and became a theater manager. If Bert had the genial gregarious nature of a good barber, it carried over well into his new career of entertaining the public, as he was well-known and well-liked in town.

Bert rode his bicycle to work. An accident resulted in a front-page story in the May 17, 1909 Ypsilanti Daily Press. One sub-headline read, “Residents Living in Vicinity of Forest Avenue and Hamilton Street Highly Edified by Spectacular Exhibition. The proprietor of the local moving [picture] theater, it is said, was gaily bowling along Forest Avenue mounted on his steel steed, [and whistling ‘In the Good Old Summertime,’]” said the article. In cutting across a vacant lot, Bert ran into a wire that someone had erected to keep passersby off the grass. “The wheel stopped-the whistle stopped-everything stopped but Mr. Reader,” said the paper. “He kept right on going and those who saw the evolutions he made declare that he is perfectly competent to draw $1,000 a week at any summer resort. Mr. Reader is not saying much, but he walks with a perceptible limp.”

The Vaudette customarily did not advertise in the Daily Press, but it made one exception around Thanksgiving of 1910, when it ran an ad for a screening of the blockbuster film “The Life of Moses.” Unlike the usual one-reel silent movies shown at nickelodeons, this film’s five reels took 90 minutes to play. Bert charged 25 and 35 cents [$5.80 to $8 today], with a Thanksgiving discount price of 10 cents. Other popular 1910 films included the sentimental “Abraham Lincoln’s Clemency,” an early, 13-minute version of “The Wizard of Oz,” a 16-minute version of “Frankenstein,” the nine-minute documentary “A Day in the Life of a Coal Miner,” the four-minute “Aeroplane Flight and Wreck,” and one of the earliest stop-motion films, the four-minute “The Automatic Moving Company,” about furniture moving itself into a house.

One 1910 movie sparked controversy in Ypsilanti over the issue of whether it should be shown at all. The film was of a famous boxing match between the world heavyweight champion, Jack Johnson, and former champion James Jeffries. Born in 1878 to two former slaves, Johnson ascended through the boxing ranks to win in 1903 what was then called the “World Colored Heavyweight Championship.” Johnson offered to fight the then-world heavyweight champion Jeffries, who refused. In 1908 Johnson caused a sensation by defeating Canadian Tom Burns in Australia for the world heavyweight championship. This triumph brought Jeffries out of retirement to challenge Johnson. On July 4, 1910, Reno hosted the “Fight of the Century.” When Johnson defeated Jeffries, winning $65,000 [$1.5 million in today’s dollars], black Americans celebrated and were attacked in race riots that broke out around the country. Multiple deaths were reported, especially in the South.

The film of the fight was widely banned, lest it reignite similar violence. When Bert Reader wrote to the film company to ask if he could show it, many Ypsilantians were apprehensive. The Daily Press asked the mayor if he would forbid the film’s screening at the Vaudette.

“Whether or not the Johnson-Jeffries fight picture will be shown in Ypsilanti is as yet an uncertain problem,” said the July 25, 1910 Ypsilanti Daily Press. “ . . . When asked if the pictures would be allowed, [the mayor] said, ‘I shall not interfere.’ The matter would be decided, concluded the paper, by the police commissioner. Ypsilanti police may have vetoed the screening, as no mention of it appears in subsequent issues of the paper.

By 1910, the era of opulent movie palaces was beginning, and that of dingy storefront nickelodeons was fading. The Daily Press condemned the Vaudette as a firetrap. The Press singled out the theater’s lack of safe fire exits and made reference to a recent nickelodeon fire in Dowagiac. There, the flammable celluloid film caught fire and the blaze destroyed the theater.

Bert closed the Vaudette around 1912 and returned to working as a barber. In 1915 the Martha Washington opened, offering plush blue seats and elegant decorations in place of wooden chairs in a bare room. The Wuerth opened. Eventually, the Vaudette’s building was demolished. Its onetime owner nearly lived to see a second centennial; he died in 1965 and with his wife and son is buried in St. John’s Cemetery.

Today the Vaudette’s onetime site is a parking lot, but a century ago, small audiences in front of a rattling film projector watched the magic of silent movies.

(Laura Bien is the author of “Hidden History of Ypsilanti” and “Tales from the Ypsilanti Archives.” She can be contacted at ypsidixit@gmail.com.)


Photo Caption:

Photo 1: A 1919 ad for a screening of the film “The Life of Moses”

Chautauqua's Coming

Published In:
Ypsilanti Gleanings, Summer 2012,
Summer 2012
Original Images:

Author: Tom Dodd

CHAUTAUQUA an attempt to put the “heritage” back into our festival

Supporters from all over the Ypsilanti community have come together to bring more history and historical events back into our annual Ypsilanti Heritage Festival. The popular, and mostly free event, has “grown like Topsy” over the past 35 years with decreasing emphasis on our heritage.

(“Topsy” was a character in Uncle Tom’s Cabin, a novel by Harriet Beecher Stowe. When asked whether she knew who made her [whether she had heard of God], she replied “I expect I grow’d” [grew]. When we say something “just grew, like Topsy” we indicate something that has gradually become very large.)

Ypsi's local festival grew from a 1970s gas-saving vacation concept to a regional event that outdrew the Michigan State Fair. In its phenomenal growth, carnival-like attractions overshadowed the event’s historical themes.

In an effort to return to the Festival’s origin, a committee has planned a two-day Chautauqua-like event at the Riverside Arts Center. In nineteenth century tradition, Chautauqua at the Riverside will feature lectures, performances, panel discussions, exhibits, and educational entertainments on many facets of Ypsilanti’s history.

• War of 1812 Bicentennial - “Ypsilanti’s Role in the Surrender of Detroit to the British” by author Anthony J. Yanik
• Civil War Sesquicentennial - Jeff O’Den on how the Underground Railroad continued here during the Civil War
Michigan History magazine editor, Patricia Majher moderates a panel of history writers
• “The Story of Willow Run: How Detroit Saved the World” - a 1944 Ford Motor Company film
• “We Hear America Singing” - The Ypsilanti Community Choir encourages us to sing along with them
• “Songs That Made a Nation” - The American Civil War: 1861-1865”, the Dodworth Saxhorn Band re-creates the band that dominated the New York music scene from 1836 to 1891 in concerts, at balls, social events, political rallies, and many U.S. presidential inaugurations
• Mayor Schreiber moderates a panel of Ypsilanti’s Historical Society, Heritage Foundation, Historic District Commission, and EMU’s historic preservation program

[Tom Dodd is a member of the Festival’s history committee and promoter of the Chautauqua program.]

Ypsilanti Parades

Published In:
Ypsilanti Gleanings, Summer 2012,
Summer 2012
Original Images:

We remember Hometown parades

Ypsilantians love a parade and we have lots of them in our town. Most of Ypsilanti’s parades have hundreds of folks marching and thousands more on the sidelines watching and waving. Some newer and shorter parades encourage the folks on the sidewalk to get up and walk in the street with them. Like Garrison Keillor’s fictitious “Lake Wobegon,” sometimes we have to participatae in the parade and then get a place on the sidewalk and watch the rest of the parade go by. It’s a continuous process and one that is enjoyed by all.

Ypsilanti’s notable parades include homecomings for all the schools and colleges in the area, the solemn Memorial Day example––which is not a parade at all, but a procession, the oldest Independence Day Parade in the state, and the 35-year-old Heritage Parade that celebrate’s our community’s proud history.

Other parades that pop up intermittently have included a Santa Claus Parade, St. Patrick’s Day Parade, and countless line-ups of vintage vehicles. This July will see the famed Great Race vintage vehicles finish their route around the Great Lakes as they stop here for lunch on the way to the finish line at Dearborn’s Henry Ford.


[Photo caption from original print edition]: In 1937, the American Legion sponsored the Fourth of July Parade on Michigan Ave. [Fletcher-White Archives]

It's a Test! Timeless Apothegems

Published In:
Ypsilanti Gleanings, Spring 2012,
Spring 2012
Original Images:

Author: Peter Fletcher

Seniors should remember these old fashioned sayings and be able to complete them. Youngsters can gain great wisdom from studying them.
1. You can lead a horse to water...
2. Busier than a lamb's tail...
3. Colder than a well digger's lunch...
4. So busy I don't know if I am...
5. I have had a wonderful evening...
6. There is no inherently criminal class in America...
7. It was a woman who drove me to drink...
8. Politics is...
9. Behind every successful man is...
10. The biggest mouths are invariably attached to...
11. An honest politician is one who...
12. The longer the obituary...
13. Successful office holders support...
14. The sun never sets on the British empire...
15. He looks like the breaking up...
16. Old age is...
17. A woman is only a woman...
18. We are looking for custom-made relationships...
19. To err is human...
20. I have a head cold.

See page 30 for answers.

Archives Film Production

Published In:
Ypsilanti Gleanings, Winter 2011,
Winter 2011
Original Images:

Author: James Mann

The City of Ypsilanti has been the site of several motion picture productions film- ing scenes of movies here. Each has been the subject of publicity and great interest. What is not so well known is the Ypsilanti Historical Society Archives has also been the site of a motion picture production. This production was not the work of a Hollywood film company, but the crew of a documentary production company. The company, Signature Communications of Huntington, Maryland, was commissioned by the National Parks Service to produce a film for the Rosie the Riveter/World War II Home Front National Historical Park in California.

The purpose of the film was to present a big-picture view of the American home front during the World War II. The time of the war was a period of major and ir- revocable social change that was affected and shaped by everyday people. For this reason the production company wanted to interview people who could provide in- sight into how the Bomber Plant at Willow Run changed Ypsilanti. The company is creating mini-documentaries on a number of themes, including: migration, support of the war effort, and the experience of women workers in the plant.

The company arrived at the Archives early on the morning of Friday, July 1, 2011, to set up their equipment. Tables and chairs were moved from the room, and a back- drop put in place for filming. Lights were set up and the camera made ready. All they needed now was someone to inter- view. The first person to be interviewed was Peter Fletcher (son of a previous City archivist and member of the Endowment Fund Advisory Board), who proved to be the ideal subject. When asked a question, he answered at length and in detail. Peter told his stories, with facts that clearly re- flected what life was like in Ypsilanti during the war.

The next two people to be interviewed were women who had worked at the Bomber Plant during the war. Each was eighty-nine or ninety years of age. The two were not as talkative as Peter had been. The interviewer asked one of the women, “I understand you got married on a week- end, and nine months later had a baby?” The woman answered, “Yes.” Then the interviewer asked further questions, to elicit more details.

The filming was finished by the end of the day, and the crew moved on to the next site. When finished, a copy of the film will be sent to everyone who took part. The ar- chives will have a copy as well.

(James Mann is a local historian, author and a regular contributor to the GLEANINGS.)


Photo captions:

Photo 1: The control room

Photo 2: The set

Photo 3: The talent: Peter B. Fletcher

A Picnic in the Park: a Snapshot of Ypsilanti Family Life in the 1950s

Published In:
Ypsilanti Gleanings, Summer 2011,
Summer 2011
Original Images:

Author: Peg Porter

On a summer afternoon in July, 1956, a group of friends gathered at Recreation Park for a picnic. The adults were members of a “supper club” that met at least monthly in one of the group’s homes for a potluck meal followed by bridge. One couple and their children, the Shepherds, were leaving Ypsilanti for Minneapolis where Jack Shepherd would begin working for Newhouse Paper. The picnic was a send-off for these long-time friends. That the children were included in this gathering indicates the depth of these friendships. This was family life in Ypsilanti in the 1950’s as many of us knew it.

Most of the men had known each other for much of their lives. Ypsi Boys, they had grown up in town and married young women who attended Michigan State Normal College. Among this particular group, were Thora Budd from Irons, Michigan; Barb Shepherd from Greenville, Michigan and Ruth Porter from Hillsdale County. Many, many marriages resulted from these relationships, particularly in the 1920s, 1930s and into the 1940s. Typically the couples married shortly after the women graduated, although sometimes before. The women settled into homemaking and raising children delaying their entry into the workforce for a decade or more.
Building or buying a house soon followed. Most of these families lived on the west side of town. Their homes reflected what was popular at that time: colonial, Dutch Colonial and Cape Cod. The houses usually had three to four bedrooms and one bathroom, the latter totally unacceptable in today’s real estate market. However, in the 1950s they and their homes were solidly middleclass.

All of the men worked in business and all of their jobs were in Ypsilanti. Jack Shepherd’s move from the Peninsular Paper Company to a Minneapolis firm was a signal of changes to come. Jim Mohler, who had worked for Scovill Lumber Company, took a position with Fingerle Lumber. The family purchased a home in Ann Arbor. The Eckerts moved from Ypsilanti to Hillsdale. In the 1950s, families became more mobile and relocation more common.

“Father Knows Best” was a popular television program in the 1950s. Jim Anderson, played by Robert Young, put on a suit and tie every day and headed to his job as an insurance agent, while his wife Margaret played by Jane Wyatt, put on a dress, stayed at home to manage the household. Margaret’s way of dress was no exaggeration. Note that each of the women in the group photograph is wearing a dress even though the occasion is a picnic. Their hair is styled short, as was Jane Wyatt’s. The TV Andersons are nicely reflected in this group including the number of children. There were three Anderson children; in the Ypsilanti group, four of the families have three children, while two couples have two children. In summary, the Anderson family depicted family life in the 1950s as it was played out in “real life.”

The following decade, the 1960s, was a time of change and upheaval. The second generation of the Ypsilanti group went to college but then the similarities with their parents’ generation began to shift. The girls began careers, two in teaching, but also in business and public service. Marriage was sometimes postponed and three of the girls never had children. The boy’s lives did not deviate that much from their fathers although a number of them moved away from business into engineering, education and the military.

But that was all in the future. On this particular summer afternoon there was corn on the cob simmering in the pot, and hot dogs and hamburgers on the grill. The women busied themselves with the food, while the men chatted and told jokes. The younger kids played in the park, while the teenagers “hung around.” It was a family picnic, a gathering of old friends.

A personal note: the 12 months leading up to the picnic were difficult for me. In August, 1955, I had polio and spent nearly three months in the University of Michigan Hospital. Polio epidemics in the 1940s and 1950s left many children and young adults paralyzed. Fortunately successful vaccines were developed by Drs. Salk and Sabin in the 1950s, an important medical breakthrough. For those of us who were stricken before the vaccines became readily available, life presented many challenges. Less than two months before this picture was taken, I had fallen and broke my left collarbone. Ironically the accident occurred in Recreation Park.

(Peg Porter is the Assistant Editor and a regular contributor to the Gleanings.)

Photo Captions:

Photo 1: (left to right) Jim and Ruth Mohler, children Margie, David and Jimmy; Lou and Louella Ables; Don and Ruth Porter, children Margaret (Peggy), Janie and Don Jr.; Clyde and Thora Budd, children Jim (behind his mother), Pat and Karen; Jack and Barb Shepherd, children Pam (in front of mother), John and Fred; Dick and Janet Smith, children Dick Jr. (in front of parents), and Mary; and Dick and Dorothy Eckert, children Julie and Rick. Photograph by Bob Southgate (Senior).

Eph Thompson - Elephant Trainer

Published In:
Ypsilanti Gleanings, Spring 2010,
Spring 2010
Original Images:



Author: George Ridenour

I received the following email on October 2, 2009: “Dear Sir, I am sorry to trouble you in these busy times but I am trying to trace the history of my great grandfather Eph Thompson. An article in the Ypsilanti Daily Press Wednesday, June 6, 1906 seems to suggest that there was a write up about him running away from home at the age of 14 but I have not been able to find anything that connects Eph to the town of Ypsilanti and I was wondering if you would have anything in your archives that might throw some light upon him. Any information or indeed where I might write to would be gratefully received. Ray Perkin, England U.K.”

Little did I realize that this request would lead to an amazing discovery? I would find the roots of one of the worlds greatest ELEPHANT TRAINERS right here in Ypsilanti! Not only did he turn out to be a world famous elephant trainer but he was black! This was an amazing feat for a black man of the 1870-1909 eras!

From Ray I learned that he was said to have been born October 28, 1859 and died April 17, 1909 in Alexandria, Egypt. He is buried in Surrey, England. His father was Phillip Thompson. That was all that was known of the early years.

Checking our archives proved discouraging as there were few black families by the name of Thompson in this area let alone one with a child named Eph. Internet searches produced vague remarks about Eph and little of his history or heritage. The Circus Historical Society produced little concrete information. Most bits of information were a few sentences long and referred to his color more than his abilities.

However, we were able to find the announcement in the Ypsilanti Daily Press of June 2, 1906, page 2, under THE STAGE column which headlined: “Extraordinary Attraction Engaged by Manager Scott.” To summarize, the article stated that Eph Thompson left Ypsilanti at an early age having been caught up in the fever of joining a circus. He left Ypsilanti, circa 1873, with the Adam Forepaugh Circus, one of the biggest of the time. He learned his trade with this circus. When he left the Adam Forepaugh Circus he went into the circus business for himself owning four elephants and touring primarily Europe for some twenty years.

A June 4, 1906, Ypsilanti Press article again repeated the appearance of Mr. Thompson, giving little of his Ypsilanti background. The article praises his work with elephants and reviews his shows in Germany. Mr. Thompson was present with a vaudeville show along with his elephant act.

The elephants were famous in their own right. In the Ypsilanti Press of June 5, 1906, it indicated they were housed at the Hawkins House and guarded by the Council City Marshal Gage. Further, “…longing to show his home people what he has done he brings his troupe of four elephants to this city for three entertainments at the opera house…He carries with him four elephants which have traveled all over Europe with him and among which is the only somersault elephant in the world.”

The show was presented at the local opera house and was, according to the Ypsilanti Daily Press of June 6-7, 1906, a smash hit. “The elephants were amazing and were named Rose, Tillie, Mary and Mina. Rose is the tallest and most powerful. Tillie is 19. She appeared as “soldier girl.” Mary is 13 and the only somersault elephant in the world. Mina, 11 years old will appear as a prize fighter for tonight’s show!”

We still did not have any links to Ypsilanti other then brief reports in the papers. We did, after several reviews, come across the 1870 US Census of Ypsilanti. There listed was a Thompson family, black, of Ypsilanti. The parents Frances and Phillip Thompson were born in Kentucky and the children listed included George, Edward, and Moses Thompson as being born in Ontario, Canada, and two others Julia and Charles born locally.

Again, searching the archives I came across a card, in pencil, which showed articles in 1906 and again in 1956! How can this be when I know that he died in Egypt in 1909? He was, so the story goes, listed as seriously ill with “white disease” in Philadelphia a year prior to his death. White disease was another name for TB. How could there be a story of him in 1956 some 50 years after his first and last appearance in Ypsilanti?

The following is from the Ypsilanti Daily Press of May 18, 1956 which answered so many questions for Mr. Perkins and me: “That race or color is no bar to a person who has it in him and has the ambition to advance is well illustrated in the case of MOSES Thompson, perhaps the greatest elephant trainer in the world who is visiting his old home in the city. Better known as EPH, Thompson was born in this city of colored parents. At the age of 14 years he caught the circus fever and was employed with Adam Forepaugh’s (aka 4 PAWS) circus. His first job was carrying water for elephants and from that day on, his career was marked out; he was destined to become a great elephant trainer. He gradually climbed the ladder of fame, until he became the keeper of the heaviest and perhaps the ugliest elephant that ever remained in captivity. Bolivar, whose only rival for honors of being the largest elephant in the world was Jumbo, who was taller, but not as heavy. While with Forepaugh, he had charge of 32 elephants He entered vaudeville, going to Europe with his own elephants. While in the circus business he has travelled twice around the world and has touched nearly all the important cities of the United States, India, Europe, and Australia.” (Reprinted from Ypsilanti Daily Press of May 18, 1906)

There, in that one article, Mr. Perkins found his long lost Great Grandfather and his connection to Ypsilanti. After 15 years it looks like EPH has given up the ghost. I have included in our archives family files and more information and stories of Moses “EPH” Thompson which will be used for later publications. Thanks Ray for sending me on a journey of discovery about one of the most fascinating citizens with ties to Ypsilanti that I have had the privilege to write of in three years of searching through Ypsilanti history.

P.S. Ray: I have advertisements which show that the Adam Forepaugh circus did play in Ypsilanti in May of 1873 which could turn out to be the date Eph left town and started on the path of destiny.

(George Ridenour is a volunteer in the YHS Archives, a research expert on family history, and a regular contributor to the Gleanings.)

Photo Captions:

Photo 1: Moses “Eph” Thompson – Animal Trainer.

Photo 2: Poster featuring “Mary,” the only somersault elephant in the world at that time.

Photo 3: Ad in the New York Clipper on March 10, 1906. However, the elephants evidently did not sell. In the March 7, 1908 issue of Billboard a small article indicated the Ringlings had offered $50,000 for the four elephants.

Photo 4: Ad in Billboard from December 22, 1906.

Ypsilanti's Checkered Past

Published In:
Ypsilanti Gleanings, Summer 2009,
Summer 2009
Original Images:

Author: Laura Bien

After its reign as an underwear manufacturer, and before its rise as a builder of WW II bombers, Ypsilanti enjoyed a regional renown as a powerhouse in
. . . checkers?

“This evening at 7 o’clock in the Daily Press office,” reported the October 24, 1930 Ypsilanti Daily Press, “the official opening of the 1930-31 checker season occurs. Five checker players from the western half of Washtenaw County will meet an equal number of Ypsilanti players in a special challenge match for the unofficial championship of Washtenaw County.” Linchpinned by the previous year’s champion, the formidable Dr. T. W. Paton, the Ypsi quintet also featured J. R. Zimmerman, “…reputed to be the best checker player in Ypsilanti,” said the Press. The group included George Allward, Russel Sweet, and Clare Hewens, all high scorers in the previous year’s citywide tournament. Hewens also served as the club’s bookkeeper, an office whose title indicated its gravity: Checker Manager. As these select five players drawn from the 15-member Ypsi checker club awaited their match, the club’s citywide round-robin tournament began. From October 28 to December 31, each club member played two games against every other member, “one game with the black checkers, and one game with the white checkers,” specified the Press. Competitors met every Wednesday at 7:00 p.m. in the basement of the old Masonic Hall, now the Riverside Arts Center.

As the round robin tournament progressed, the team of five vied for the county championship by facing off against Ann Arbor’s elite University Checker Club. Drawing upon the U-M’s ocean of intel- lect, the UCC prepared to crush the humbler city’s team - which competed that day without its best player, Dr. Paton.

Ypsilanti triumphed, scoring 55 to the UCC’s 45. That did not please some Ann Arbor players. “Immediately after the score was determined, the Ann Arbor team entered a challenge for a return match to be played at the Michigan Union in Ann Arbor,” reported the October 25 Press. Gracious in victory, the Ypsi team accepted, traveling to Ann Arbor on November 14. Despite the UCC’s home board advantage, its team lost again, 67 to 77. “Undaunted by two defeats,” the Saturday Press gallantly reported, “the University team will play the local team another challenge match in Ypsilanti
some time within the next month.” But an even bigger match lay just ahead.

The following Wednesday, the Ypsi team squared off against a crack squad selected from the state’s largest city, when they hosted the Detroit Edison Checker Club. The locals triumphed again “by the decisive score of 91 to 45,” crowed the November 20 Press. Enthusiastic new members joined the club, swelling its ranks. Despite privation and hardship in that Depression winter, the scrappy little checker club made itself a source of city pride.

(Laura Bien is a volunteer in the YHS Archives, manages the YHS blog
- the “Daily Diary,” and is a regular contributor to the Gleanings.)

Photo 1: Checkers

Sidetrack Bar and Grill

Published In:
Ypsilanti Gleanings, Fall 2009,
Fall 2009
Original Images:




Author: Ted Badgerow

“Now that the train is stopping here again, I think you’ll see a resurgence of Depot Town.” – Linda French, owner of the Sidetrack Bar and Grill.

One of the movie industry’s highly touted new forays into Michigan recently brought film stars Hilary Swank and Minnie Driver into one of Ypsilanti’s historic buildings, the home of one of its oldest restaurants: the Sidetrack Bar and Grill. It’s the perfect location for a fictional Irish pub. An honest bar and grill, the Sidetrack has served up good food and drink for decades. And it’s likely to do so for decades to come, judging by the restaurant’s steady popularity and the numerous culinary plaudits from GQ, USA Today, the Oprah Winfrey Show, and local diners.

If there’s a better way to pass a summer eve- ning than watching Depot Town fill up with antique cars in the company of good friends and a pint of fresh local ale, I have yet to find it. I make no claim to be a disinterested observer, having been a patron of the establishment since its establishment. Back in the early ‘80s, when I was head brew master and assistant bottle washer of the Real Ale Company in Chelsea, I supplied fresh bottled ales to the Sidetrack. A few years ago I installed the tile and marble work at Linda’s renovated home on Huron Street, within walking distance of the bar. And at her behest, I play and sing holiday requests at the Sidetrack every December whenever I please.

This historic edifice at the intersection of Cross Street and the railroad is built of bricks fired before the Civil War, when Michigan’s 14th and 27th Infantry Regiments occupied the barracks across the tracks. It has contained a saloon since at least 1894, owned and operated by Nicholas Max, Joseph Hack, and George Christos, among others. Through the years it has housed a blacksmith shop, a drug store, a barber shop, a candy store, and a photo and publishing business. Perhaps the most famous, or infamous, venture was the Lewis Horse Exchange, where about 70 Detroit sporting men gathered daily to play the ponies in a setting that conjures up images of Robert Redford and Paul Newman in The Sting. From 1900 until 1911 Warren Lewis ran a notorious and successful operation, calling horse races off the telegraph wires with a “peculiarly penetrating and exciting quality.” When, against prevailing public sentiment, the gambling house was shut down by a prosecu- tor, Mr. Lewis posted a sign across the door: “Closed, sixteen people out of Work here.”

The building underwent an instantaneous renovation in January of 1929, when the 12th car of an 85-car freight train, hauling lumber, left the track and crashed into what quickly became the former Caldwell Building. The owner, who lived upstairs, had stepped out briefly. The restaurant operators, Bert Ollett and his wife, were alone in the restaurant. Pedestrian Laura Kelsey, 17, was struck and knocked unconscious. Scott Sturtevant, a motorist, backed his car out of d anger just in time. Miraculously, no one died.

An historic epicenter of river and railroad, Depot Town has seen its busts and booms, hard times and good times. Next year, after a hiatus of some twenty years, passengers will once again board and disembark from the original freight house. With the announcement of a sizeable federal stimulus grant for the project, portents are favorable for the continuing revitalization of Ypsi’s old junction. Will we see the revival of past glories such as Mr. John Laidlaw’s internationally fa- mous Michigan Central Railroad landscaped gardens? Will pretty young girls once again present nosegays to ladies on the train? We can only hope. Ribbon-cutting is projected for autumn of next year.

A local spearhead for Depot Town renewal, Linda French came to Ypsilanti from Northville to attend Eastern Michigan University. As a young businesswoman she jumped into this ancient center of commerce with an antiques shop, now Frenchie’s. In 1979 she bought the old Central Bar next door and transformed it into the Sidetrack. As a local resident and business owner, Linda has long been, as she puts it, “vested in the area.” Her mother, Nancy Jane French, has worked at the Sidetrack “since day one,” and daughter Jessica, a Kalamazoo College graduate, is learning the ropes of the business.

In March we sat down for a chat in her small brick office at the restaurant. A woman who obviously loves what she does, Linda French has no slow gear. She’s articulate, passionate, and as those who know her will affirm, voluble. Here’s what she has to say about the bar, the building, and her role as caretaker: “My role in life has been to preserve the Sidetrack, and to carry it on to the next generation.”

The following interview with Linda was conducted on March 12, 2009.

What are your earliest memories of the Sidetrack? It was a workingman’s bar, it still had a canopy. The whole front was a 1940’s aluminum, and it had an aluminum white door and a small window. If you went inside it had a beautiful tin ceiling and an old antique back bar to die for.

How old are the oldest bricks in this building? 1850’s. When we tore out a staircase we found little shoes from, like, 1870. And it’s such a cool thing because you can see your place in time, because four generations earlier there was some- body else who sat here. I’m sitting here right now, and in a hundred years there’ll be someone else sit- ting here. This was a railroad town. It was rough. From the Depression on, it was a blue-collar area, and this was a blue-collar bar. If you were near the railroad, it was considered to be “blue-collar”. People didn’t want to live on the other side of the tracks. Now they’re cleaner, safer railroads. They don’t have the dirt and the grime.

How about the boom and bust periods in Depot Town? It rises and falls with the railroad, so now that the train is stopping here again, I think you’ll see a resurgence of Depot Town. I think you’ll see more than just a few entrepreneurs who’ve picked up historic buildings, a new wave of entrepreneurship in the area that’s much more substantial because of the train stopping here. The train hasn’t stopped here in twenty years. They’ll be stopping here again in October of 2010. Now you’ll see a resurrection, an economic boom in the area, that’ll cement Depot Town in.

How do you feel about being a caretaker for this beautiful old historic building? I feel fortunate. In time, I’m just a person who’s taking care of this place. It’s my turn, and my job is to preserve it for the next generation. The old owners have come through with their relatives, people from back then, ‘way back before it was the Central Bar, and actually started crying. They remember it from when they were little and are so glad that it’s the Sidetrack now, and that it’s being carried forth. I’m now the caretaker, and I have to carry the torch. All the karma that’s been laid out here is being carried on, this is a bar filled with good karma. I lucked out, and I’m fortunate in time to be the person in this generation to take care of the Sidetrack. I didn’t let it go to hell. I really believe that if you take individual people who are willing to put their labor into it, and build a sense of community… it takes people who own the building who have businesses inside of them, and not just landlords. Historically, the person who owned the building always was the caretaker of the Sidetrack. That’s really the key to all that.

It’s been really easy to work with, because it’s so sound – three bricks deep. And everything you do, you do for the future. From the fireplace down to every window that we’ve installed, it’s a fifty-year plan, as permanent as we can make it – so that the next person who gets it, if it’s my daughter or whoever, in the future whatever they go to work on, it’ll be that way – permanent. Not much has changed here. There’s really not a lot of stuff you can do to this place. We have a lot of room for expansion here too…we have nothing upstairs, it’s all open, brick wall to brick wall. We haven’t developed it…right now we’re just so busy doing what we do that we don’t have time to do more. The whole building is still evolv- ing, and I want to keep something for the next generation. It won’t be my dream, it may be my daughter’s dream – not something I want to do, but something she wants to do.

We work really hard at what we do, and we re- ally love what we do here. So everybody takes a personal interest – we’re a bunch of foodies, and we all love our beer, so we try to serve the things that we like.

You’ve always had the best selection of beers in town. How many do you have on draft? Sixteen taps. We do Michigan beers and micros, and we have some great imports. We take our beer real seriously. We sell great beer at reasonable prices; we’re the workingman’s bar that has good taste. You can afford to eat here. Handcrafted food, handcrafted beer – that’s what we do here. We know our beer and we know our food.

What’s your best seller? Bell’s Oberon. It has been forever. We sell fifteen kegs a week – that’s a lot of beer.

What’s your bestselling food? Burgers. We have our own formula. We buy as local as we can – 75% of our suppliers are local. And they have been since ‘way before local became popu- lar. I know the suppliers, and we handpick our supplies. If you do it long enough, you learn who’s good and who isn’t. You can tell by the taste.

Do you have any favorite patrons? We have a huge amount of regulars. Most of our customers are regulars. It’s a cast of characters that come in here.

What idiosyncrasies does the old building have? We have one stool that vibrates, at the end of the bar. It’s right above the beer cooler. The generator kicks on and there’s so much concrete it just vibrates. What are your favorite memories of the Sidetrack? I have great memories of some of the personal weddings that have been in here, when the place is closed down. And the wakes – some of the very touching things are when a customer has called me when they’re dying and asked if I will do their wake for them – a celebration of their life. I’ve gone to the hospital and talked with them and planned the wake together. I’ve had some wakes that will bring you to your knees, and I’m very fortunate to have a place that people love that much. They said they couldn’t think of anywhere else they would do it but here. No matter what was going on, I would make sure that we’d clear the joint out and have their wake. There are some things you just have to do. It means a lot – that as a bar we have touched that many people’s lives. Do you have any “worst” moments? One winter a pipe froze and exploded upstairs. The ceiling started to bulge. The customers were all seated in here, and it started to drip, and we ran for our umbrellas, and the tin ceiling started to bow, and we had to take an awl and popped it, and the water gushed down…it was an insurance claim. Another time, last summer, the whole place was packed on all the patios, with a private party next door in Frenchie’s,and a car pulls up on the sidewalk of the front patio, on fire. The woman gets out and starts to run because she thinks it’s going to explode. Meanwhile, everybody’s having their dinner, the flaming car’s on the sidewalk, and then they’re all fleeing the building. Oh yeah, all my customers thought it was going to explode. My staff called me, screaming. They grabbed the fire extinguish- ers and rushed out and kept it under control until the fire department got here and hosed down the whole patio – it was wild! Sounds like a scene in a movie.

How big is your staff? Fifty-five, sixty-five. We have three generations, my mother works here too, and she’s worked here from day one. I have one daughter, Jessica, who graduated from Kalamazoo College, and is here working to see if she likes it. It’s a test of time, to see if the place will be passed on through future generations. At the core beginning of the Sidetrack, everything was done over a beer and a napkin. We were sitting in the old Central Bar here when we thought of the name “Sidetrack.” It’s been here for 160 years. And I hope it’s here for another 160 years."

So the next time you’re sitting on the patio by the tracks, enjoying your handcrafted burger and fresh local brew, please note the curious angle of the building and imagine twenty tons of timber hurtling straight at you. The place still shakes as the Amtrak comes through, but nobody raises an eyebrow or lifts a glass. After all, they’ve rumbled by for a hundred fifty years.

Perhaps some hazy day sixty years from now a patron will see a faded photograph on the wall of the Sidetrack. “Who are those hot ladies in the old-fashioned dresses? Hilary Swank? Minnie Driver? I never heard of them. I think they were actresses. Remember when they used to have movies in theaters? I hear they shot scenes right here at the Sidetrack, ‘way back before Michigan became the film capital of the world…” Some things change - and some things just stay the same…

The curious are well advised to read Tom Dodd’s and James Thomas Mann’s excellent history of the depot district, titled “Down by the Depot in Ypsilanti.”

(Ted Badgerow is a local businessman, a musician involved with a number of local and area musical groups, and a frequent visitor to the Sidetrack.)

Photo captions:

Photo 1: Linda French (owner of the Sidetrack) and daughter Jessica welcome guests to the Sidetrack.

Photo 2: Linda French (left) and Marilyn Collins] in March of 1979 when the old Central Bar was restored and renamed the “Sidetrack.”

Photo 3: A front view of the Sidetrack showing patrons dining outside in the area demolished by the 1929 train wreck.

Syndicate content